{"id":3762,"date":"2007-03-30T04:29:20","date_gmt":"2007-03-29T19:29:20","guid":{"rendered":"http:\/\/www.ur-plaza.osaka-cu.ac.jp\/2007\/03\/30\/20070330_intensive_seminar_-_for_art_management_in_asia_osaka_2007_-_creating_creative_cities-_the_f\/"},"modified":"2018-06-26T00:19:12","modified_gmt":"2018-06-25T15:19:12","slug":"20070330_intensive_seminar_-_for_art_management_in_asia_osaka_2007_-_creating_creative_cities-_the_f","status":"publish","type":"post","link":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/2007\/03\/30\/20070330_intensive_seminar_-_for_art_management_in_asia_osaka_2007_-_creating_creative_cities-_the_f\/","title":{"rendered":"Intensive Seminar – for Art Management in Asia, Osaka 2007 – Creating Creative Cities- The Function and Role of an Art Manager"},"content":{"rendered":"

30th March 2007<\/p>\n

Time Schedule<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
10:00am<\/td>\nOpening
\nChair (AM)
\nChair (PM)<\/td>\n		Shin NAKAGAWA (Professor at the G. S. of literature, Osaka City University)
\nMikio SUGIURA \uff08Adjunct Lecturer of Urban Research Plaza, Osaka City University\uff09<\/td>\n<\/tr>\n
10:15am<\/td>\nOpening Speech<\/td>\nShin NAKAGAWA<\/td>\n<\/tr>\n
10:30am<\/td>\nPres.1<\/td>\n\u300cThe State of Art Management in Korea\u300d
\nSeungmi KIM \uff08Professor at the Seoul Institute of the Arts\uff09<\/td>\n<\/tr>\n
10:45am<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
11:00am<\/td>\nPres.2<\/td>\n\u300cThe Network Formed Around the Asia Contemporary Dance Festival and Its Future Development Prospects\u300d
\nIku OTANI \uff08Director of NPO Dance BOX\uff09<\/td>\n<\/tr>\n
11:15am<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
11:30am<\/td>\nPres.3<\/td>\n\u300cCurrent Situation of Performing Arts in Indonesia\u300d
\nAmna KUSUMO \uff08Director of Kelola Foundation\uff09<\/td>\n<\/tr>\n
11:45am<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
12:00pm<\/td>\nLunch Break<\/td>\n<\/td>\n<\/tr>\n
01:30pm<\/td>\nPres.4<\/td>\n\u300cAbout Art Related Activities ( a.a.r.a. )\u300d
\nKlaomard YIPINTSOI \uff08Founder \/ Director of About Art Related Activities ( a.a.r.a. )\uff09<\/td>\n<\/tr>\n
01:45pm<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
02:00pm<\/td>\nPres.5<\/td>\n\u300cPotential From Cultural Exchanges in Art and Design\u300d
\nTomio SUGAYA \uff08Curator at the Osaka City Museum of Modern Art (Planning Office)\uff09<\/td>\n<\/tr>\n
02:15pm<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
02:30pm<\/td>\nPres.6<\/td>\n\u300cThe Mix of National Prestige and Market-driven Forces in Shanghai’s Contemporary Art Market\u300d
\nWeiqun SHEN \uff08Senior Producer of PRESS JAPAN (Tokyo Agency)\uff09<\/td>\n<\/tr>\n
02:45pm<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
03:00pm<\/td>\nPres.7<\/td>\n\u300cA Personal Encounter with China’s Contemporary Art: Concerning the Contemporary Art Market in China\u300d
\nYukihito TABATA \uff08Director of Tokyo Gallery \/ B.T.A.P. (Beijing Tokyo Art Projects)\uff09<\/td>\n<\/tr>\n
03:15pm<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A<\/td>\n<\/tr>\n
03:30pm<\/td>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 30-minute Break<\/td>\n<\/tr>\n
04:00pm<\/td>\nDiscussion<\/td>\n<\/td>\n<\/tr>\n
05:30pm<\/td>\nClosing Remark<\/td>\nMasayuki SASAKI (Vice Director of Urban Research Plaza, Osaka City University\u00a0& Professor at the G. S. of Creative Cities, Osaka City University)<\/td>\n<\/tr>\n
06:00pm<\/td>\nParty<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

30th March 2007 Time Schedule 10:00am Opening Chair (AM) Chair (PM) Shin NAKAGAWA (Professor at the G. S. of literature, Osaka City University) Mikio SUGIURA \uff08Adjunct Lecturer of Urban Research Plaza, Osaka City University\uff09 10:15am Opening Speech Shin NAKAGAWA 10:30am Pres.1 \u300cThe State of Art Management in Korea\u300d Seungmi KIM \uff08Professor at the Seoul Institute of the Arts\uff09 10:45am \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A 11:00am Pres.2 \u300cThe Network Formed Around the Asia Contemporary Dance Festival and Its Future Development Prospects\u300d Iku OTANI \uff08Director of NPO Dance BOX\uff09 11:15am \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and Q&A 11:30am Pres.3 \u300cCurrent Situation of Performing Arts in Indonesia\u300d Amna KUSUMO \uff08Director of Kelola Foundation\uff09 11:45am \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Discussion and […]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/posts\/3762\/"}],"collection":[{"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/posts\/"}],"about":[{"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/types\/post\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/users\/10\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/comments\/?post=3762"}],"version-history":[{"count":1,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/posts\/3762\/revisions\/"}],"predecessor-version":[{"id":4023,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/posts\/3762\/revisions\/4023\/"}],"wp:attachment":[{"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/media\/?parent=3762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/categories\/?post=3762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ur-plaza.osaka-cu.ac.jp\/en\/wp-json\/wp\/v2\/tags\/?post=3762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}